Kreitsauce's Musings

In this post I’ll be directly replying to Nitwit Nastik’s blog article “Errors, Inconsistencies, and Contradictions in the Bible.” (Nitwit and I have a fairly cordial friendship going, so please don’t see this as my attempt to tear him to shreds. You’ll have to read through both our blogs to see that we have had a number of conversations concerning faith.) His basic assumption in this article is that the Bible contains a number of “contradictions and factual or scientific errors.” I call this an assumption because he doesn’t actually list any errors, but rather critiques the responses of Christians when confronted with these so-called errors.

The first response by Christians that he critiques is the use of literary techniques to explain verses in the Bible. Apparently, the use of metaphor and symbolism in Scripture is problematic for Nitwit, who seems to prefer a more “literal” interpretation of Scripture. He goes so far, in fact, as to describe an appeal to the poetic nature of Scripture as “deceptive.”

In order to understand Scripture, we must understand that it is a book of ancient literature. As such, it makes use of a variety of literary types such as proverb, saying, chronicle, lament psalm, oracle, apocalypse, parable, song, epistle, and many others. (For those interested, I highly recommend Leland Ryken’s books How to Read the Bible as Literature and The Complete Literary Guide to the Bible.) On the subject of literary technique, Ryken writes:

“Virtually every page of the Bible is replete with literary technique, and to possess the individual texts fully, we need to read the Bible as literature, just as we need to read it theologically and (in the narrative parts) historically.

“The importance of genre to biblical interpretation is that genres have their own methods of procedure and rules of interpretation. An awareness of genre should alert us to what we can expect to find in a text. Additionally, considerations of genre should govern the terms in which we interact with a text. With narrative, e.g., we are on the right track if we pay attention to plot, setting, and character. If the text before us is a satire, we need to think in terms of object of attack, the satiric vehicle in which the attack is couched, and satiric norm (stated or implied standard by which the criticism is being conducted).

“In view of how many literary genres are present in the Bible, it is obvious that the overall literary form of the Bible is the anthology, as even the word Bible (Gk. biblia, “books”) hints. As an anthology, the Bible possesses the same kinds of unity that other anthologies exhibit: multiple authorship (approximately three dozen authors), diverse genres, a rationale for collecting these particular materials (a unifying religious viewpoint and story of salvation history), comprehensiveness, and an identifiable strategy of organization (a combination of historical chronology and groupings by genre).”

One would expect literary complexity in the Word of God. One would expect literary complexity in any religious book. It shouldn’t surprise us, then, that parallelism, foreshadowing, metaphor, simile, symbolism, etc. should appear throughout the Bible. It is the logical result of a Creative Mind guiding other creative minds to write.

Now, I must be clear here. Biblical Christianity has always believed in a literal, grammatical, historical interpretation of Scripture. We do believe in a literal interpretation of Scripture. That means that we believe that some Scripture literally makes use of literary techniques. We also believe in comparing Scripture with Scripture to determine Its true meaning. These principles are both practical and logical.

Nitwit correctly asserts that anything can be given a metaphorical meaning, and he uses The Matrix and The Lord of the Rings as examples. I would like to make a few statements as a way of wrapping up the post:

1. I find it a bit ironic that The Matrix and The Lord of the Rings themselves both make use of allusion, metaphor, and symbolism throughout, frequently in referencing Christianity. The Matrix references Christianity (Zion, Trinity, etc.) throughout, and Tolkien himself explained that Eru is a fictionalized version of God.
2. If modern books and movies use literary techniques, why is it so difficult to believe that the Bible would?
3. In the works mentioned above, we can turn to either the author or the author’s works to figure out what the literary techniques used are meant to represent. When we read the Bible, we do the same thing. We turn to the Author in prayer and further study His Word to determine the correct interpretation.

1 Peter 1:20-21: “Knowing this first, that no prophecy of the scripture is of any private interpretation. For the prophecy came not in old time by the will of man: but holy men of God spake as they were moved by the Holy Ghost.”