
Casting Crowns
Bro. Cloud,
These days, I’m typically way too busy to write in this format, but an article wound up in my email that I find impossible to ignore. This article condemned West Coast Baptist Bible College and its founding church Lancaster Baptist Church. Those who know me best know that I rarely step up to defend Bible colleges, so this is a bit rare for me. In the article, you attacked WCBBC for adapting “CCM” music for its church services. The songs in question are Casting Crowns’ “Prayer for a Friend“, Hillsong’s “Stronger“, and MercyMe’s “Word of God Speak”, and I’ve attached links to websites that print out the lyrics for those who are unfamiliar. I found your article to be a bit all over the map, quite honestly, but I think I can boil down your primary statements to the following three items:
1. The style of CCM songs is inherently sensual, seductive, sentimental, rebellious, and hypnotic.
2. The doctrines espoused by CCM music are unsound due to the connection with the charismatic movement.
3. Involvement in CCM music will lead churches and individuals to apostasy and ecumenism.

MercyMe
Let’s look at the first area: style. I am no expert on music theory, so I’m not going to address the specifics regarding chord structures. I do, however, think that I can address the issue of style. Is CCM music sensual and seductive? I assume by using these words, Bro. Cloud, you mean that the music itself is somehow erotic. To be honest, this seems a bit of a stretch when it comes to any of the songs cited. Perhaps historically some musicians masquerading as Christian were guilty of this, but CCM has matured significantly over the years. Furthermore, I would like to know in what way the music can be said to be rebellious. Is rebellion a spirit or an action, or can it be communicated strictly through music? The lyrics of the songs are far from rebellious, so you must mean that the music itself is inherently rebellious. Musically, the mood of the selected songs ranges from melancholy to contemplative to (dare I say it?) worshipful. The music itself is not harsh, grating, loud, or even energetic. Therefore, I must assume that you mean something in the chord structure is inherently rebellious, and yet there is nothing that seems to drive a listener to rebellion against anything.
It seems to me that all music can affect our emotions and thoughts. It can give us energy, make us sad, or fill us with joy. It can excite or calm. There’s nothing wrong with music driving us emotionally; it’s simply cause and effect. But what happens if the shoe is on the other foot? Does your church include an invitational hymn, Bro. Cloud? I sincerely doubt they sing “Onward Christian Soldiers” during that time. No, they probably sing something more like “Is Your All on the Altar?”, a hymn with all the plaintive bleating of a lost lamb. We choose songs that set the tone for what is being communicated, and the marching of the Army of the Lord is not appropriate for saints and sinners responding to the message. I daresay many have felt the call of God as a result of a well-placed hymn, and many a mission’s conference has benefited from a soloist’s rendition of “People Need the Lord”, which was also originally classified as CCM.
What about the doctrine of CCM music? Does the fact that charismatics create worship music mean that CCM music is infected with doctrinal distortions? In a word- no. Sure, there’s some chaff to be driven away, and that will happen in time. But really, Bro. Cloud, can you say much about a song like “Joy Bells”? That’s in most hymnals, and offers a cheesy, whimsical version of Christianity that flies in the face of human experience. What about “Every Day with Jesus”? I submit that every day with Jesus is not sweeter than the day before! Some days with Jesus, you burst into tears between the car and the front door. Some days with Jesus, you cling to Him because you don’t know what to do with what you faced that day. There is a richness in the bitterest moment on earth that- while not joyful or sweet- is still of tremendous value in the Christian walk. My point, Bro. Cloud, is that every style of music in Christian history includes some less-inspired lyrics. In your missions conferences, do you sing “We’ve a Story to Tell to the Nations”? If you do, then you sing a doctrinally-unsound hymn about the Church ushering in the Kingdom of God. Yet this song is in most hymnals. Do you sing “Joy to the World” as a Christmas song? This song refers to the 2nd Coming and has nothing to do with the Nativity and creates doctrinal confusion at the very least.

Fanny Crosby, the Ecumenical Hymn-writer
Now, about the songs mentioned: let’s analyze them. How about “Stronger” by Hillsong, since that is from a Pentecostal/A of G church? The death and resurrection of Christ, salvation and atonement, sinfulness of mankind, deity and eternality of Christ, etc. are all affirmed in this one song. That beats the socks off of some hymns! What the song does not mention in any explicit way is the so-called baptism of the Holy Spirit, speaking in tongues, or “health and wealth” gospel. In other words, it in no way endorses false doctrine and is biblically sound. Therefore, I do not see any reason to avoid the song in a church service.
So what should we do, considering the denominational background of the musicians? Nothing! We Baptists love Fanny Crosby hymns, caring little that she regularly attended Presbyterian, Episcopalian, and Reformed churches, was involved in the holiness movement, and finally settled with the Methodist church. Isaac Watts (the founder of English hymnody) followed after Reformed theology, which most IFBs would deny. John Newton, the author of “Amazing Grace” was Anglican. We accept hymns written by men and women with beliefs contrary to Scripture because the hymns themselves are sound; why treat other Christian music differently? (Incidentally, Isaac Watts desired strongly to break away from the Christian music of his day and write “original songs of Christian experience.” Is CCM categorically any different?)
“Word of God Speak” is by MercyMe, and it contains none of the mysticism it is accused of. Frankly, your accusations here absolutely baffle me. Devoid of any direction to view the “Word of God” as anything other than its normal, straight-forward meaning, we are left to assume that the song is either addressing the Bible or Christ Himself (John 1). Because either could be meant, the phrase probably has a double meaning. It calls the believer to shift his focus from himself to God, listening to Him rather than praying selfishly. It also specifically references the holiness and majesty of God. Do you pray in secret, beyond the “quiet” and “beyond the noise”, Bro. Cloud? I sincerely hope so, for that is where our Father hears us, and it is only by praying there that God will reward us openly. God speaks in a still, small voice, and it is for this voice (metaphorically speaking) that the singer in this song yearns.

Isaac Watts, Nonconformist
Finally, there is “Prayer for a Friend” by Casting Crowns. Lyrically, Casting Crowns is typically the most deep of the three groups mentioned. What is perhaps most disturbing by your accusations, sir, is that we’ve all been right where the writer of this song has been. We’ve all known someone that we cannot help, who must make a decision on their own, and we have no other recourse but to beg God to intervene. The song is not one of hopelessness, but one of recognizing where Hope comes from. This song acknowledges the power of God to move and shape our lives, and I think we can all appreciate that.
The last major accusation that you make, Bro. Cloud, is that this music of this sort is a litmus test for apostasy. You tell your readers that churches which adapt CCM music- much less use it in an unadapted form- will no doubt bend toward liberalism and unorthodox practices and beliefs. I beg to differ. It seems to me that the message you are sending reveals apostasy of a very different sort, much after the mold of the Pharisees. You see, the entire article you wrote, as well as the general contents of your website reveals something: an obsession with sin. And being sin-obsessed is always wrong, whether we call it an “addiction” in which we compulsively, habitually contemplate or perform sinful action, or whether we obsess over avoiding anything that we think might be connected to sin. It’s a sort of asceticism. If you look hard enough, Mr. Cloud, everything is tied to sin somehow. Luther’s “A Mighty Fortress” was used as a theme for the Swedish socialist movement in the 1800s, in the Dungeons and Dragons roleplaying game, and on television shows from HBO’s Deadwood to The Simpsons. Astronomical terms, months, and days of the week are all tied to pagan deities. Christmas and Easter are both tied to pagan holidays. If you look for sin in everything, you will find it. However, not everything about a culture is inherently sinful and may in fact be redeemed from out of that culture. To be sure, the rock movement was birthed in a time of sex, drugs, and rebellion. That doesn’t mean that the style must always be tied to those themes, and it doesn’t mean those themes are present anytime someone uses a guitar and a drum set. Much CCM music is produced by people who aren’t IFB, but then again the IFB’s have never tried. Who can blame them, when Ron Hamilton can’t even escape the penetrating gaze of a Pharisee? If you are going to focus on being biblically sound, sir, you had best be following the whole counsel of God.
Let me close by telling you a bit of my personal experience. I began in a church that taught much as you do. There are wonderful people there, and, in spite of the things that I had to unlearn from that time, they taught me to love God and to appreciate the brilliant and profound depth of the hymns. As I grew older, I went to college and then seminary, discovering a very strong and inconsistent bias against anything that wasn’t IFB approved. The older I got, the more I questioned, and fewer people had good answers. I left the IFB movement in favor of a church on the outside, one that strives to avoid the Phariseeism of the past. But, it does more than simply avoid an error. I learn about God’s Word there outside the paradigm of IFB asceticism and extreme guilt. I’m re-reading my Bible, gaining new insight for the first time in a long time. I’m learning to love to worship God in song, and I’m proud to say we sing hymns, gospel, and modern worship music. It’s Christ-centered through and through. I’m learning compassion for the lost, broken, and hurting in ways that are far more real than I ever thought possible. The church I attend is biblical, and it is filled with Christians from all walks of life who are all on this incredible journey of faith.
In the end I must thank you, Bro. Cloud, for reminding me again of what God has saved me from becoming, and for giving me a chance to express my theology of worship in this very unique setting. Good day.